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Carlos Patiño (Cuenca 1600Madrid 5 September 1675) was a Spanish Baroque composer.〔The New Grove dictionary of music and musicians, Volume 19 2001 p235〕 Patiño was a choirboy at Seville Cathedral where he studied with Alonso Lobo. He married in 1622 but his wife's death in 1625 led to his entry into the priesthood. In March 1628 he became ''maestro de capilla'' of the Real Monasterio de la Encarnación, Madrid, where he succeeded Gabriel Díaz Bessón (1590–1638). On 1 January 1634 Patiño succeeded Mateo Romero as ''maestro de capilla'' in the royal chapel. He was the first ''maestro'' of the ''capilla real'', formerly the Flemish chapel, to be born in Spain. In 1660 his request for retirement was denied, but he was provided with two assistants. Most of his sacred works are polychoral. Several of his secular works were composed for court occasions. Many sacred works were lost in the Lisbon earthquake of 1755, but others survived in the New World. His theatre work included the music to ''El Nuevo Olimpo'' of 1648, but this too is lost.〔Louise K. Stein ''Songs of mortals, dialogues of the gods: music and theatre in seventeenth century.'' p100〕 ==Works== * 13 masses * 49 motets * 21 psalms * 6 litanies * 11 ''cantos evangelicos'' * 2 eucharist hymns * 32 villancicos * 14 tonos humanos〔Las obras humanas de Carlos Patiño, ed. D. Becker (Cuenca, 1987)〕 * Theatre music 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Carlos Patiño」の詳細全文を読む スポンサード リンク
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